Who Is Considered to Be the Most Significant Influence on Nearly Every Contemporary Art Movement

Gimmicky Art vs. Modern Art Defining "Now" from "Then"

November 30, 2015

According to the Merriam-Webster Dictionary, the word "modern" is defined equally, "of or relating to the present time."  The word "gimmicky" is divers as "happening or showtime now or in recent times." While these definitions may appear to exist similar or even almost identical, in terms of art genres, they are very incongruent.

The modern art motion began in the 1860'due south during the period of the Industrial Revolution. With the advent of photography, artists no longer saw the necessity to make fine art for the sake of portraying reality exclusively. Many artists therefore began experimenting with color, class, shape, abstraction, different mediums, and different techniques. Modern fine art was a major diversion from techniques of the past, as described below by Melissa Ho, an assistant curator at the Hirshorn Museum:

"[Traditional academic painting of the 17th, 18th and 19th centuries] was about perfect, seamless technique and using that perfect, seamless technique to execute very well-established subject affair […] With modern art, there is this new emphasis put on the value of being original and doing something innovative."

Roy Lictenstein,
Mirror #five
, 1972, Lithograph, 34″ ten 24″

Modernistic art made way for many different trends and movements, including futurism, cubism, abstruse expressionism, pop art, and
many more. Al Held and Roy Lichtenstein were two very influential modernistic artists who helped define the trends within modernism, and we are proud to have works past both included in the Escalette Permanent Collection of Fine art. Al Held was primarily focused around abstract expressionism, but particularly favored playing with geometric shapes, layers, and illusion. All three of these components are clearly exhibited in his workStoneridge,which is currently on display in Beckman Hall, third flooring. Roy Lichtenstein, on the other hand, was a passionate participant and leader of the pop art movement. Early in his career, he would depict widely recognized images from comic books and advertising, putting his own spin on the illustrations using vivid colors and large shapes. Subsequently on in his career in the 1970's, however, he began to experiment with more than abstract forms, as can be seen in his piece of workMirror #5,which is besides on display on the third flooring of Beckman Hall.

Al Held,
Stoneridge
, 1983, Etching and Aquatint on Newspaper, 22.75″ x 40″

Gimmicky art, on the other hand, is typically less well-divers as the former topic. This style is most commonly described equally belonging to artists still living today. Much similar what spurred the modern fine art movement, contemporary art has begun to contain new mediums to lucifer societal advancements in resources and technology- including video fine art, site-specific fine art, and installation art.

Lisa Adams,
The Forest Family
, 1995, Mixed Media on Wood, 60″ x 48″

The majority of the Escalette Permanent Collection of Fine art features some intriguing pieces by contemporary artists. Ii of these artists are Lisa Adams and Ellina Kevorkian , both of whom have their works on display on the fourth floor of Beckman Hall. Lisa Adams primarily works to create paintings and gouaches, and typically depicts scenes of nature. InThe Woods Family unit,Adams farther incorporates nature into her piece by adding wood as a medium in the work itself. Further exploring the thought of mixed media within a singular piece of art is Ellina Kevorkian, who, every bit she advertises on her ain website, "creates hybridized relationships between painting, photography, video, and functioning using tropes, humor, and the visual languages of art and popular culture." Kevorkian is "contemporary" in every sense of the discussion,  and her work cannot be represented better than in her sliceLast Night My Tears Were Falling, I Went To Bed Then Pitiful And Blue, Then I Had a Dream Of You.Using glitter, spray paint, acrylic pigment, lace, and puff pigment, Kevorkian creates a rich world poking fun at the trope of what is widely considered, "feminine."

Ellina Kevorkian,
Final Night My Tears Were Falling, I Went To Bed And then Sad And Blue, Then I Had a Dream Of Y'all
, 2002, Mixed Media, 84″ 10 72″

While contemporary art and modernistic art may sound similar, in form and practice they are quite contrasting. In many means, modern art has laid the groundwork for contemporary fine art, as both seem to have arisen directly as a result of technological advancements in order and are concerned with being indicative of pop civilisation or social bug of their respective time menstruation. We here at the Escalette Drove invite you to take a await at the artwork on display all around Chapman University's campus, exploring our vast collection of modernistic and contemporary artists and seeing if you can ascertain what makes each unique to i another!

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Source: https://blogs.chapman.edu/collections/2015/11/30/contemporary-art-vs-modern-art/